Vaizen is a licensing marketplace built for the way deals actually happen. Full submission workflow, multi-territory avails engine, advanced search, and role-based access. Built and running.
The infrastructure gap Vaizen was built to close
Rights holders with completed titles have no persistent, searchable layer to reach buyers. Availability lives in spreadsheets and PDFs sent to whoever you met at a market.
Avails, territories, and rights windows are negotiated through back-and-forth emails. A buyer in Germany shouldn't need three calls to know if European SVOD rights are available.
Cannes, AFM, and MIPCOM are expensive, infrequent, and closed-network. The infrastructure connecting indie supply to global demand shouldn't require a hotel room in the South of France.
A full licensing workflow β built and running
Video, metadata, artwork, documents, and licensing availability in one structured workflow. Structured data from the first click β not a form that ends in a PDF attachment.
Worldwide, include-list, or exclude-list licensing across 50+ countries. AVOD, SVOD, TVOD, Pay TV, and Free TV supported. Territory configuration is granular and real-time.
Genre, country of production, cast, director, festival pedigree, content advisory, and release window. Every search returns only titles with declared, available rights.
Filmmaker, Producer, Sales Agent, Distributor, Catalog Owner, Buyer, and Film Festival roles β each with appropriate permissions and workflows tailored to how they actually work.
Every party is verified at registration. Rights holders know who is accessing their screeners. Buyers know they are dealing with legitimate, authenticated rights owners.
Vaizen closes the gap that has existed since film markets moved online in 2020
40,000+ films are produced globally every year. The majority are independent productions with no distribution infrastructure. They have titles, avails, and materials β they just can't reach buyers efficiently. Vaizen solves that.
Streaming platforms, broadcasters, and distributors have tripled their acquisition budgets in five years. They need a reliable, searchable source of indie content with declared avails. Vaizen is that source.
Why now is exactly the right moment to build this infrastructure
The global content licensing and distribution market. The majority of this value flows through opaque, relationship-dependent channels. Vaizen makes it structural and searchable.
Dozens of new platforms launched globally since 2020, each competing for indie content. More buyers, same broken discovery infrastructure. The demand has never been greater.
Cinando and TVSL are dated and closed-network. There is no Bloomberg Terminal for film rights. That is the gap Vaizen fills β and it is already built.
It's the marketplace the studios can't afford to ignore. Vaizen is built, functional, and ready to scale.
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